Difference between revisions of "Wikipedia Links and Viral Loops"
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+ | | title = Wikipedia Links and Viral Loops | ||
+ | | date = 2011 | ||
+ | | authors = [[Sara Bremen]] | ||
+ | | doi = 10.1111/j.2151-6952.2011.00076.x | ||
+ | | link = http://onlinelibrary.wiley.com/doi/10.1111/j.2151-6952.2011.00076.x/full | ||
+ | }} | ||
'''Wikipedia Links and Viral Loops''' - scientific work related to [[Wikipedia quality]] published in 2011, written by [[Sara Bremen]]. | '''Wikipedia Links and Viral Loops''' - scientific work related to [[Wikipedia quality]] published in 2011, written by [[Sara Bremen]]. | ||
== Overview == | == Overview == | ||
Exhibitions have social potential, beyond just the prospect of sharing the experience with a friend standing next to you. Authors can imagine ways in which the museum space can link art, objects, experiences, people, and technologies to provide a structure within which visitors feel comfortable participating. Their own contributions and the museum’s skillful use of social media can result in a more engaging exhibition, not a dumbing down of the content. | Exhibitions have social potential, beyond just the prospect of sharing the experience with a friend standing next to you. Authors can imagine ways in which the museum space can link art, objects, experiences, people, and technologies to provide a structure within which visitors feel comfortable participating. Their own contributions and the museum’s skillful use of social media can result in a more engaging exhibition, not a dumbing down of the content. |
Revision as of 10:10, 18 December 2019
Authors | Sara Bremen |
---|---|
Publication date | 2011 |
DOI | 10.1111/j.2151-6952.2011.00076.x |
Links | Original |
Wikipedia Links and Viral Loops - scientific work related to Wikipedia quality published in 2011, written by Sara Bremen.
Overview
Exhibitions have social potential, beyond just the prospect of sharing the experience with a friend standing next to you. Authors can imagine ways in which the museum space can link art, objects, experiences, people, and technologies to provide a structure within which visitors feel comfortable participating. Their own contributions and the museum’s skillful use of social media can result in a more engaging exhibition, not a dumbing down of the content.